When I was younger I never quite got on the Bob Dylan bandwagon.  Sure there were songs I absolutely loved, “Knockin’ on Heavens Door”, “Blowin’ In The Wind” etc.  But his style never really grabbed me.  While he served as “the voice” of my generation and older he always seemed out of touch.  I found his work really hit or miss.   I could never get through a complete recording.  Just major snooze-a-rama.   And that voice.   Horrendous, muttering, mewling like sandpaper on dry flesh.   And even though I enjoyed some of his music I found that I enjoyed it more when other people sang it.   His performances just left me empty and hungry for something more (and not more from him).  While his music may have served as the voice of a generation it certainly never served as a “voice” for my life experience.   And his music just seemed to become more and more distant through the years.   And that’s the way I felt for most of my life.

Fast forward to the present.   I am 59 going on 60.   On a whim I purchased the Bob Dylan box set – The Complete Album Collection Vol. One.    I’ve forced myself to listen through each album (all 47 discs).   And to my surprise I found that not only does the music touch me in unexpected ways but it seems more relevant to my life and our culture as it currently exists.   It appears that Dylan was not out of step with the times.   I was just out of step with Dylan.   And while some stuff from the 80’s and 90’s still seems somewhat uneven.  His work has just gotten better and better in the new millennium.   And his voice has gotten better.  When he was younger (or should I say when I was younger) his voice just seemed strangely out of tune lacking the clarity I had come to expect from many folk and pop singers.   But in the intervening years I fell in love with Tom Waits who has a similar voice and I love Tom’s songwriting style and storytelling.  Not only that but Dylan handles a guitar like Tom handles a piano.   I’ve found that since the LOVE and THEFT album Dylan’s songwriting is not dissimilar and in fact is complementary to Tom Waits music, and Dylan’s  voice is perfectly suited to that style.   It’s enjoyable and I can easily sit through an entire recording as the music evokes many scenes, times, places and people that I can appreciate.  And I’ve come to admire his skill with language and music.

Bottom Line:   While the box set was a risky purchase considering my previous opinions of Bob Dylan it was a purchase that paid off in spades.    It’s been so great to get in touch with a master songwriter.   When you go through his oveure in this collection one can easily see why he was nominated for the Nobel Prize for literature.

So while I may have said some things early on that may have seemed sacrilegious – well my eye’s have been opened.   Another blind man can now see.

With all that said and done.   Here are some tracks you may/or not be familiar with.    Enjoy.

two more poems featuring the half-deflated balloon from the workplace office.

______________________________

I AM WAITING

I am waiting.
Waiting for the light to flicker.
Waiting for the walls to drop.
Waiting for the half-deflated ballon to fall
Waiting for the stale office air to circulate
Waiting for microscopic dust to settle
I’m waiting for your call.

——————————————-

A half-deflated balloon
from a celebration
long past

drifts listlessly
bobbing and weaving
in the recirculated
air current

Still tethered to
its cubicle
human placeholder
the open cage
where “pets” can roam freely.

Two butterflies

encircling each other

love’s in the air