I’ve been fascinated with concepts of time and our perceptions of it. I just saw this wonderful film that is an artful exploration of the subject of time.
It is titled THE END OF TIME by Peter Mettler…. It is mostly image and music but there is some spoken word. And wow, the spoken word has so many quotable quotes I would just say watch the whole movie. Here is a trailer to entice you.
Did you know that the root word for time and weather is the same in many languages? With that in mind here are eight questions and possible answers arranged in an hourglass shape.
Q: Are you rushing because you are Late?
A: I am getting wet.
Q: Do you like the hot afternoon sun?
A: It is 3PM.
Q: Are you really 85 years old?
A: The sun is setting.
Q: What time is it?
A: It is snowing.
Q: What time is dinner?
A: The wind is blowing.
Q: Where is the sun rising?
A: The dawn comes early.
Q: When does the moon rise?
A: The temperature is dropping.
Q: Do you have the time?
A: Can’t you see the clouds in the sky?
The Madness Of King George – a great film regarding the subject of George III King of England who suffered the indignity of insanity. He ruled England at the time of the American Revolution and was largely blamed for losing the colonies. This film is even more chilling when viewed again in the context of a Donald Trump Presidency. Lately there has been a rising chorus of those who question Trump’s sanity, mental stability in executing his office as President. Could we witness a replay of this scene in some fashion here in America in the 21st century? I can imagine this dialogue all to well between Trump and Doctors, “I am the President”…..”No Sir! You are the patient”.
I’m a real fan of film analysis. Films are more than just escapist entertainment and in many ways are the modern mythologies of our time. So analyzing these films seems a necessary informative way to gain new understanding of our own cultural mythology.
This video is probably one of the best analysis I have ever seen. If you haven’t seen the film yet that’s okay – this will be a good primer that will enhance your viewing experience.
Enjoy this video criticism for the film CHILDREN OF MEN  – Dir. Alfonso Cuaron.
and here’s the trailer
GREAT movies about specific art works you may have missed.
Pieter Bruegel the Elder’s THE WAY TO CALVARY in Lech Majewski’s THE MILL AND THE CROSS.
A great documentary about the man behind the camera and behind the typewriter. For Years I have been a fan of Elia Kazan’s films: AMERICA AMERICA, ON THE WATERFRONT, BABY DOLL, FACE IN THE CROWD, BOOMERANG, PANIC IN THE STREETS and EAST OF EDEN (just to name a few of my personal favorites). Enjoy this enlightening and inspiring documentary about a complex creative writer/director.
I’ve been a fan of so-called ambient music ever since Brian Eno coined the term in 1976. And while ambient music has come to mean a multitude of things of the past few decades it is generally associated as a sort of quiet minimalism. In 1987 Editions E.G. Records released a compilation of their artists who were associated with the growing instrumental electronic music movement, many of which were associated with ambient music. This electronic music compilation included Brian Eno, Roger Eno(his brother), Harold Budd, Michael Brook, Bill Bruford, Patrick Moraz, Hans-Joachim Roedelius, John Hassell, Robert Fripp, Laraaji, Phil Manzanera and, last but not least, The Penguin Cafe Orchestra. This compilation was titled ANGELS IN THE ARCHITECTURE and had extensive liner notes explaining and detailing what ambient music involved. This was my first exposure to the Penguin Cafe Orchestra (which used electronic and also folk instrumentation). I went on to collect all their albums based on the 2 tracks that were included on this compilation.
The song I want to focus on which I’ve revisited again is from the Penguin Cafe Orchestra’s debut album, MUSIC FROM THE PENGUIN CAFE. It is titled (and perhaps would be a model for the lengthy titles of later post-rock masters…) The Sound Of Someone You Love Who’s Going Away And It Doesn’t Matter. Yes, that really is the title. This song has so many nuances and it expresses what Penguin Cafe Orchestra does best in this period; taking a melody and deconstructing it then reconstructing it again – a sort of compositional breathing.
This song starts out with a beautiful melody that totally draws the listener in and wraps the listener in a warm blanket of comfort and serenity. Then it slowly deconstructs and before-you-know-it the sound has become more like a wailing child. After that harsh realization has set-in the melody returns like a lullaby to comfort the “child” and soothe the emotions. Then for a second time it starts to deconstruct and it’s not as extreme but the awareness and expectation is greater as the distance grows. Because we know the suffering that can come, based on the first go-round. But, once again the melody returns. This third time the melody does not seem to return fully but just sort of lingers on, hints of deconstruction then fades away as if it just doesn’t matter any more. Life, relationship, loss and the life that remains. It’s what makes this music so “true”.
I hope you enjoy this wonderful music.
For more info:
And for the new Penguin Cafe – a project by Arthur Jeffes where he is continuing the work started by his father Simon Jeffes with the Penguin Cafe Orchestra.
The featured image on this post is from a photographic series of mine titled Celluloid Impressions and features abstracted images created by photographing the moving image in cinema. This featured image is number 10 in the series.