… on… beyond the subject….

I once read something that got me thinking about how I photograph different subjects. I’ve started becoming more interested – not in just photographing a subject but actually photographing in a way that may allow people to look beyond the subject.  How do we frame a subject?

Urban Void

Is the frame to be ignored for the subject?
Investigate the setting. Investigate the frame.
Can you see behind? What is hidden by the subject? What is revealed by the frame?

How does framing a subject tell us more about the subject than the subject itself?

For many in our image conscious culture life beyond the frame is frequently unthinkable.  I think the opposite is true.  Looking beyond the subject can deepen my appreciation and understanding.  It inspires more questions on the journey that can propel the viewer further into the world of the image.

Urban Frame-Up

If you’ve followed me for some time then you know that I am a big fan of abstraction.  And so often my images have been composed only of the subject itself.  I haven’t changed As one friend told me “you actually think in abstract.”  Maybe I’m just starting to expand my view to include a larger world and larger context in which the subject appears and that – for me – is just as interesting as the subject itself.  That’s why I love images like the ones I’m posting here where the subject almost seems like a void – a vast emptiness that nearly fills the frame of the image but is framed by its surroundings.

I like the contrast between being and nothingness (as Sartre would phrase it).   I find the tension between two opposite things utterly compelling.  Existential imaging?

SHOW ME EVERYTHING – by Tindersticks from the album The Something Rain

…on …laundry…

laundry

The early morning had an autumnal chill in the air and was overcast like so many clouded minds waking to the new day.

I was at the laundromat; not one of my favorite things. I go early, making every attempt to avoid the greedy rush of individuals jockeying for machines.

This morning eight other people had the same idea.

I had a book by Peter Handke that I was reading – ON A DARK NIGHT I LEFT MY SILENT HOUSE. It’s a short novel with prose that reads like poetry. It travels the razors edge of reality and dreams, so-much-so that, at times, I wasn’t sure if I was reading a really great story or if I was dreaming of reading. As I slipped farther and farther into the world of the story the sounds of the laundromat seemed more distant, muffled, even murky.

My quiet reading repose was interrupted by the RAT-A-TAT-TAT of machine gun fire – the sound of death – blasting from the mobile device of a seventy-year-old gray-haired grandmother playing an obviously violent video game and sitting near, too near me, lost in her own oblivion.
Annoyed by the cruel aural assault I just closed my eyes and let the sounds of the laundromat merge into a cacophonous free-jazz experiment; Albert King was playing on the overhead sound system swinging with updates about Hurricane Matthew, on the television, merging with the friendly chatter of others who seem to enjoy laundry – and company. Suddenly, a searing break of five washing machines whirring and buzzing, in their wild interlude, on the spin cycle in complete synchrony eventually to subside and merge with the rest of the sounds in this social sound-fest ending with the click click click click click of the same five machines stopping, signaling the cycle was over.

After drinking in all the sounds it was time to dry out, fluff and fold. The feeling of warm, fresh softness carried out to the car. Another week has ended. Now ready to start a new week, clean and clear. Ready to carry-on after this unpleasant sensorial massage. Ultimately satisfied. Paradox of mundanity.

… on … Richter and photography…

epistemology of existence wm sm

“Photo’s create a world,
but I don’t know what’s happening
outside of the frame.”

“You know the world of the photo’s,
but not the world they photographed.”

~ quotes by Gerhard Richter from the DVD, GERHARD RICHTER PAINTING

When it comes to photography I enjoy it and I am also constantly dissatisfied with it. The two quotes above, by Gerhard Richter seem to get to the crux of the matter for me. A photo can seem real enough but it isn’t. And it is that pretense of reality that everyone seems sucked into that I have trouble with.
I’ve destroyed almost as many of my photos as I’ve printed for this very reason. I want to create art; something that is lasting and meaningful – but all I can seem to create are images. ~ Terry S. Amstutz (a.k.a. mobius faith)

……on surrealism…..

Surrealism used to be interesting
Now it just bores me.

Have you noticed how almost all of the imaging we encounter on a regular basis features some surreal aspect?
Cinema, advertising, photography, literature, art – In photography, with photo manipulation, it’s everywhere.

It’s as if surrealism is the new reality.  Everyone’s doing it.
And that’s just boring. There’s nothing special about it anymore.
It’s doesn’t shock, surprise or cause people to think – any more.

Surrealism used to be interesting
Now it just bores me.

Yaaawwwwwwwnnnnnnnnnnn!!!!!!!!!!!!!!!!!