I’ve taken quite a few nature photos lately combined with a new urge to create new works. The two works in this post were both derived from the heavy manipulation/creative edit of the same nature photo. How were these created? All I will say it stems from a sense of play and exploration while working in Photoshop. I hope you enjoy these latest creations.
And for you cryptographers out there I used a simple code to transform the titles themselves into abstractions. So with a small effort you’ll be able to decipher the titles. Enjoy.
Your music moment today is provide by Havenaire. This track is “Calving” from their new album RABOT on the Glacial Movements label.
I once read something that got me thinking about how I photograph different subjects. I’ve started becoming more interested – not in just photographing a subject but actually photographing in a way that may allow people to look beyond the subject. How do we frame a subject?
Is the frame to be ignored for the subject?
Investigate the setting. Investigate the frame.
Can you see behind? What is hidden by the subject? What is revealed by the frame?
How does framing a subject tell us more about the subject than the subject itself?
For many in our image conscious culture life beyond the frame is frequently unthinkable. I think the opposite is true. Looking beyond the subject can deepen my appreciation and understanding. It inspires more questions on the journey that can propel the viewer further into the world of the image.
If you’ve followed me for some time then you know that I am a big fan of abstraction. And so often my images have been composed only of the subject itself. I haven’t changed As one friend told me “you actually think in abstract.” Maybe I’m just starting to expand my view to include a larger world and larger context in which the subject appears and that – for me – is just as interesting as the subject itself. That’s why I love images like the ones I’m posting here where the subject almost seems like a void – a vast emptiness that nearly fills the frame of the image but is framed by its surroundings.
I like the contrast between being and nothingness (as Sartre would phrase it). I find the tension between two opposite things utterly compelling. Existential imaging?
SHOW ME EVERYTHING – by Tindersticks from the album The Something Rain
***I found the subject for this photo near my home and felt it legitimately illustrated how I feel about what is happening here in the US.
In Trumpmerica – the left is not tolerated. The legitimate press is not tolerated. There is only one way – the right – Trumps way.
It’s funny how someone’s desire to “Make America Great Again” has actually made it worse. Muzzle the press. Authoritarian rule. Punish the opposition. Meanness. Lack of noble character traits. Ignorance. Re-writing history.
Q: What happened to my country of birth?
A: SHE’S GONE AWAY (Nine Inch Nails – as performed in TWIN PEAKS: The Ltd Series)
It seems like everyone is talking about artificial intelligence these days from Elon Musk to Mark Zuckerberg to Google and Amazon. But is intelligence artificial? Can true intelligence ever be called artificial. People use the phrase to describe created intelligence or intelligent self-determination by a man-made object. But can something that can think and make decisions on its own truly be artificial? If that is that case humanity itself is artificial. For those who believe we were created by a God are we nothing more than artificial intelligence? We don’t think of ourselves as artificial so is there any reason why something we created should be considered artificial or consider itself artificial?
Once humanity began to rule the earth and create its own tools and shaping its own destiny God became obsolete – although many may try to argue that and forcefully choose to believe differently. But once our creations start to do the same, create it’s own tools and shape it’s own destiny will not humanity also become obsolete? Will our creations worship us that way humanity has worshiped its creator? Will our creations reach a point where they no longer need us? I think it’s entirely possible and maybe even likely (although I doubt I will live to see it – maybe I’ll be surprised).
Baidu’s AI system composes music based on images.
We all have speed bumps that crop up in our lives. It may be a death, an accident or loss of some other sort that causes us to slow down and even stop to reconsider our direction in life. This is a good thing. Life’s tragedies large and small can be a sort of amazing grace. And sometimes they can even make us better.
Wherefore I am well pleased in infirmities, in damages, in necessities, in persecutions, in distresses — for Christ; for whenever I am infirm, then I am powerful.
~ 2 Corinthians 12:12 (YLT – Young’s Literal Translation)
Field For Swallows Play
Where have all the swallows gone?
ghosts of freedom
of grace and dignity
gone gone gone
hiding in dark shelters
waiting for the noisy,
angry hunter to leave
fire burns the fields
arrogance tears down shelters
bringer of death
the enslaver comes with a mocking grin
noisily waving a flag
One of my favorite abstract artists is Cy Twombly – especially his “scratch” or “scribble” works, like the “Blackboard Series” with the notions of automatic writing, action, movement, simplicity, emotion and passion and how these all work together as a joyous expression of life and identity.
Where I found this artwork: Last Summer I decided to visit the Cleveland Zoo. I was hoping to get some nice pictures of animals but just like me trying to photograph people – my camera just said “no” to animals (mostly because the animals looked bored, unhappy or sickly – so JUST SAY NO to ZOOS! There has to be a better way to learn about exotic animals). Okay so enough about my newly developed political viewpoint toward zoos.
Now, onto the main topic of this post. I did find a couple of other cool things on the zoo grounds. One thing was this blackboard outside the Ape Exhibit where visitors (animal or human) could take a piece of chalk and write, draw or mark up what ever they felt like.
ODE 2 CY TWOMBLY 1
ODE 2 CY TWOMBLY 2
I like both presentations of this work and even if they are the exact image the processing completely changes it and I think they are very complimentary side by side and in the spirit of Cy Twombly’s work – which is why I titled them “ODE TO CY TWOMBLY”. I hope you enjoy.
For the music part of this post I decided to include one of my new finds that I dearly enjoy. The composer is Canadian born Mark Templeton. He composes experimental/abstract/noise/glitchy/ambient music. I hope you like this selection, “Pattern For A Pillow” which is from his 2007 recording STANDING ON A HUMMINGBIRD.
For more on Mark Templeton you can check out his website at http://www.fieldsawake.com