



If you are still alive in this crazy world - Happy November 1st 2024.
This month we embark on a whole new journey in image making. The question: Can an image be ambient?
I suppose that some could argue that all images, in our image saturated society, have become ambient with people merely viewing them as clickbait - not spending time on any one image for any amount of time and seldom (if ever) going back to it once it was viewed. My inspiration this month comes from ambient music. I've been a fan of so-called ambient music since Brian Eno released Angels In The Architecture; a compilation of ambient (mostly electronic) music artists from that time. It was released in 1987 on the Editions EG label and included artists, like Brian Eno, Laraaji, Phil Manzanera, Robert Fripp, Penguin Cafe Orchestra, Roger Eno, Harold Budd and others. Of course ambient music has been around long before 1987 but it was not until that time that it really became a genre on it's own defined primarily by electronic music.
A few months ago I was listening to a music podcast and they presented a newer ambient idea one that is strictly electronic and featured a group called GAS. The album was simply titled POP and was the creative brainchild of german musician/composer Wolfgang Voigt. The music was described as what you might hear through a dense woods of the remnants of a techno and classical concert all merged into one ambient rumble. You might call it manufactured natural ambience. I became intrigued by that notion of manufactured natural ambience and began to wonder if there is such a thing as a manufactured ambient image based on nature subjects.
Wallpaper. I remember as a child how much I loved leafing through wallpaper sample books that mom and dad would bring home when they were ready to redo a room. And I think that may be the direction I'm going. Can art just be wallpaper something that exists as a background to something else? Tying into the previous notion of listening to electronic music filtered through a dense woods made me want to try something new. I've long wanted to be able to manipulate my nature images into some sort of electronic mashup where something completely new would be created. It may not be clear. It may be only suggestive or impressionistic.
I started to think about how I would process such an image, I found a way of working that lets me get close to what I want to do. So today starts the new series, simply titled, Experiments For Better Or Worse #1 through.... Some images will be more successful than others in each persons eyes. I will only post one image a day and have created more images than there are days in the month of November so some will be left out to wait until later. So without further adieu here is the first image, featuring autumnal colors and some ambient music to go with it. Please remember what you are looking at is NOT real there are only remnants of a reality that have been blended together in this visual soup.



Happy May Day everyone. If any part of this creation looks familiar - it should. This is an extreme creative edit of a raw color photo file that I originally posted as a black and white image back in April. Here's the link to that photo if you are interested. https://onbeingbecoming.com/2024/04/23/cix-2/

The last of my "fantasy" series (for now). The deer graze peacfully near the old dead tree while a crow watches, like a guardian, above.




I've decided to start 2024 with some escapist fantasy. Come along with me on the ship "Fantasi". :-)



Three new digital photo-based creations... from left to right.... "Basket Weaving" "Bleeding Throught The Night" "The Architecture of Madness"

Today I will discuss something I look for in my photography - TEXTURE. I Love textures. I used to really go overboard on textures and that is the reason I've re-edited some of my old photos. When the photo is a photo of a texture or when there is plenty of texture in the photograph already it is not necessary to add any texture. Texture should be treated like a fine wine. A glass or two is perfect but if you get drunk you become an absolute mess. Using texture is much the same (in my opinion). Now I will add a caveat there are times for working on an abstract original a severe or obvious texture may add to the overall composition but these are rare instances. Generally speaking texture is is like frosting on the cake. You want some but you also want the cake also. Okay maybe that's not the best analogy because I'm sure there are readers out there who would argue they could live on frosting alone (you know who you are). LOL 🙂 I also love poetry. I love poetry for it's ability to condense feelings, emotions, images, impressions into a few words - no need to write a novel. At least I don't feel the need to write a novel. :-). Textures for me provide that same ability and can change a "feeling" or "impression" of an image just by adding some textures - the same that poetry does for language or storytelling. My newest texture was created using this photo below. It is simply a photograph of paint/tar splatter on concrete wall under a roadway where homeless camp out from time to time. When I photographed this I took the image with an intention of using it as a texture. I didn't know how at the time but today it all came together.

In Photoshop is opened the raw file added contrast etc because I wanted the "squiggles" to stand out more. Then I began to add layers of the photo, rotating and repositioning them as as what felt right. Each layer I would either use the "exclusion" or "difference" function. When I was finished I had a wonderful abstract mess that I could use as a texture. The original was in color but I also converted it to black & white to use on monochrome photos.


One of the things I like about textures is that they can bring out the feelings or moods of an image that lie just under the surface. And I think this can take a bland image from the level of mere representation to "art". See what you think. Below are two photos. The one from an abandoned factory; I haven't posted before because it seemed to be missing something, but when I added the color version of this new texture it seemed to come alive for me. You can see hints of the texture but again it does not overpower the original image. It enhances the crusty dirty feeling of what the location was really like. I almost feel like I can rub my finger across the image and dust and dirt will come off. On the Winter scene below - I used the black and white version of the texture. And to me it gives the image almost a vintage feel. It adds to the snowiness of the overall scene making it feel even sharper and therefore colder even icy.


Well those are my thoughts and look into the evolution of some of my images. What do you think? If anyone would like a jpeg or tif file of these textures color and/or black and white to use on your own work - use the contact form on this blog and I will email you a copy of the file. This offer is for a limited time only. Thanks everyone.

This image is simply titled STUDY #1. It was completed entirely in Photoshop using various tools like line drawing and selection. Added color and multiple layers for composition. I also layered in some texture from some of my own photos. When I first finished this I was so exhausted that I felt quite indifferent. But 2 months have passed and I find it very rewarding, even enjoyable. I hope you enjoy it also.
Enjoy this warm track by Manhattan Transfer: “Capim” featuring Brazilian singer/songwriter Djavan from their album BRASIL.
For over 20 years I’ve had a shaved head and a mustache usually with a goatee tuft under my lower lip. But this year has been all about change. Change both wanted and unwanted. I decided changing my look was part of a change I wanted. So now my hair is shoulder length and I have a full beard. I’ve gotten in touch with my inner Walt Whitman (one of my favorite American Poets). I took this selfie with my iPhone and processed it in photoshop. Pleased enough with the outcome to use it as my new avatar profile image for my sites. Enjoy.



I’ve taken quite a few nature photos lately combined with a new urge to create new works. The two works in this post were both derived from the heavy manipulation/creative edit of the same nature photo. How were these created? All I will say it stems from a sense of play and exploration while working in Photoshop. I hope you enjoy these latest creations.
And for you cryptographers out there I used a simple code to transform the titles themselves into abstractions. So with a small effort you’ll be able to decipher the titles. Enjoy.

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Your music moment today is provide by Havenaire. This track is “Calving” from their new album RABOT on the Glacial Movements label.