under the covers #26

Through Trees
Well you can't have a series titled "under the covers" and not bring up the subject of sex at least once.  
Of course I'm talking about Sexual Healing. That classic Grammy winning song by Marvin Gaye in the early 1980's. I've always liked that song. Not loved it but liked it. It's got a nice groove to it. Plus I've always been fascinated about talking about sex so openly. When Marvin sang the song it almost felt pornographic. What I mean is that it was "out there" for everyone to see. That brings me to todays cover.

Ben Harper has been a music artist I've followed since 1997's WILL TO LIVE album. Four years later he would release a double live album that (for me) ranks as one of the top 10 Live recordings of all time - LIVE FROM MARS. I had an opportunity to see Ben Harper & The Innocent Criminals live during the LIVE FROM MARS tour. Simply one of the best live shows I'd ever seen in my life. On that album Ben covers Marvin Gaye's Sexual Healing. This is my favorite version - it feels really passionate and intimate. Even though it's a live setting it still comes off as intimate. The live video I'll be posting will be Ben Harper at the Hollywood Bowl (2003) and the Marvin Gaye video will be his Grammy winning performance from 1983.

Which is your favorite?

CXCVII

Out Standing In A Field [rework]
You'll remember me when the west wind moves
Upon the fields of barley
You'll forget the sun in his jealous sky
As we walk in fields of gold
So she took her love
For to gaze a while
Upon the fields of barley
In his arms she fell as her hair came down
Among the fields of gold
Will you stay with me?
Will you be my love?
Upon the fields of barley
We'll forget the sun in his jealous sky
As we lie in fields of gold
See the west wind move like a lover so
Upon the fields of barley
Feel her body rise when you kiss her mouth
Among the fields of gold
I never made promises lightly
And there have been some that I've broken
But I swear in the days still left
We'll walk in fields of gold
We'll walk in fields of gold
Many years have passed since those summer days
Among the fields of barley
See the children run as the sun goes down
Among the fields of gold
You'll remember me when the west wind moves
Upon the fields of barley
You can tell the sun in his jealous sky
When we walked in fields of gold
When we walked in fields of gold
When we walked in fields of gold

What’s all this crop?

In my photography I've started thinking about "how I can make things look longer or taller."   I think the right crop might be the answer.   The two photos today are examples of my pursuit of this idea.    I've always loved vertical landscapes which comes from my interest in vertical Japanese woodblock prints like the ones by Utagawa Hiroshige.    I think the particular crop in these two photos,  which is a vertical 16X9, creates this effect nicely.   It makes the main subject of tall trees look even taller in my mind.  It "heightens" their already magnanimous stature.    I also used various textures and effects.   

What I find really funny is that the main tree in the photo on the left is significantly smaller that the tall tree in the photo on the right.  It's more of an overgrown shrub, actually, that is about 12 ft tall compared to the large tree on the right which must be about 50 ft tall.    But again, I think the crop really goes a long way to lengthen this tree.   Hope you enjoy.  

What do you think?  Is the crop pleasing to your eye?   Or is it just too much?

the poetry of textures

Today I will discuss something I look for in my photography - TEXTURE.  
I Love textures.    I used to really go overboard on textures and that is the reason I've re-edited some of my old photos.    When the photo is a photo of a texture or when there is plenty of texture in the photograph already it is not necessary to add any texture.    Texture should be treated like a fine wine.    A glass or two is perfect but if you get drunk you become an absolute mess.    Using texture is much the same (in my opinion).     Now I will add a caveat there are times for working on an abstract original a severe or obvious texture may add to the overall composition but these are rare instances.    Generally speaking texture is is like frosting on the cake.   You want some but you also want the cake also.   Okay maybe that's not the best analogy because I'm sure there are readers out there who would argue they could live on frosting alone (you know who you are).   LOL  🙂

I also love poetry.  I love poetry for it's ability to condense feelings, emotions, images, impressions into a few words - no need to write a novel.   At least I don't feel the need to write a novel.   :-).  Textures for me provide that same ability and can change a "feeling" or "impression" of an image just by adding some textures - the same that poetry does for language or storytelling.  
 
My newest texture was created using this photo below.  It is simply a photograph of paint/tar splatter on concrete wall under a roadway where homeless camp out from time to time.   When I photographed this I took the image with an intention of using it as a texture.   I didn't know how at the time but today it all came together.  
In Photoshop is opened the raw file added contrast etc because I wanted the "squiggles" to stand out more.   Then I began to add layers of the photo,  rotating and repositioning them as as what felt right.   Each layer I would either use the "exclusion" or "difference" function.  When I was finished I had a wonderful abstract mess that I could use as a texture.    The original was in color but I also converted it to black & white to use on monochrome photos.  
One of the things I like about textures is that they can bring out the feelings or moods of an image that lie just under the surface.    And I think this can take a bland image from the level of mere representation to "art".     See what you think.   

Below are two photos. The one from an abandoned factory; I haven't posted before because it seemed to be missing something, but when I added the color version of this new texture it seemed to come alive for me.   You can see hints of the texture but again it does not overpower the original image.    It enhances the crusty dirty feeling of what the location was really like.   I almost feel like I can rub my finger across the image and dust and dirt will come off.    

On the Winter scene below - I used the black and white version of the texture.   And to me it gives the image almost a vintage feel.    It adds to the snowiness of the overall scene making it feel even sharper and therefore colder even icy.    
Well those are my thoughts and look into the evolution of some of my images.   What do you think?   If anyone would like a jpeg or tif file of these textures color and/or black and white to use on your own work - use the contact form on this blog and I will email you a copy of the file.   This offer is for a limited time only.   Thanks everyone.