Continuing with the posts of the past couple of days todays image has a different source. The base image (bottom) was from the outside of the elevator shaft on the top level of a car park that is used for the Akron Public Library. I also used the steam engine shot from yesterday to add some curves and texture on the final manipulation. Many Many layers were used in this process. I like the Monochrome against the orange and blue of the Library sign. I can imagine printing this on a large aluminum metal sheet.
we live in an over-saturated world of images. Images are everywhere we go. In fact they are so prevalent they are becoming mundane. Boring. They’re primarily “pretty” photos of realistic/recognizable subjects (objects, landscapes, people, animals, plants). Abstraction is seldom seen and seems to be less and less appreciated. Is there still a place for abstraction? And what is it?
First, abstraction in photography is very different from abstraction in the paint/sculpture arts. Abstraction in photography is merely the “capture” and/or presentation of any deviation from the perceived norm (no matter how slight) and therefore more passive. Abstraction in painting/sculpture is very different. Painting/sculpture is an active medium unlike photography. In painting/sculpture the abstraction is created compared to documented. And it’s this creative action that I think gives a viewer pause to consider what “it” is. Can photographic abstract also be the result of a creative action? I think it can – but is extremely rare. Because of the nature of photography; abstraction has become such a generalized category that it has become redundant.
Now about our world. In addition to being overly saturated with heavily saturated images is also, thanks to technology, is moving at a faster and faster pace. There is no rest. There is no contemplation. Even the internet with its myriad blogs, photo sharing sites, art sites, etc is not conducive to slowing down to consider what we are doing. The internet has created a culture of clicking “LIKE” and moving on. In one minute I can look at and “like”/”fave” a hundred photos.
For this reason I think there is more and more a need for true abstraction in the painting/sculpture sense. Because these type of abstracts are more likely to cause us to slow down (maybe even stop) from time to time and consider what we are looking at and how we feel about it or what it means to us. So bring on the abstraction. Deviate from the norm. Give people a reason to pause and “rest” on your work.
The images I’m including today are photos of something people would NEVER photograph. I went to the park the other day – one of my favorite hangouts to decompress. I went to photograph some winter scenes etc – you know the kind of stuff everyone photographs that I described at the beginning of this article. The kind of stuff we DON’T need more of. But most of the shots I kept were These here today. Shapes and textures of salt melting ice on asphalt pavement in the parking lot of the park. For me they have their own intriguing wonder.
Your music moment today is a track titled Awakening by Greek artists (and friends) MK-O from their album ETHER. For me this song has the kind of energy I feel in these images. The kinetic energy of salt melting ice. Check out their website http://www.mk-o.com for more.
I’ve taken quite a few nature photos lately combined with a new urge to create new works. The two works in this post were both derived from the heavy manipulation/creative edit of the same nature photo. How were these created? All I will say it stems from a sense of play and exploration while working in Photoshop. I hope you enjoy these latest creations.
And for you cryptographers out there I used a simple code to transform the titles themselves into abstractions. So with a small effort you’ll be able to decipher the titles. Enjoy.
Your music moment today is provide by Havenaire. This track is “Calving” from their new album RABOT on the Glacial Movements label.
…faint glow of incense burning
night of a thousand warriors
plum blossoms in the rain…
As many of you know visually, I “see” in abstract. It’s just the way my mind works. Some people see gorgeous sweeping mind altering landscapes but I like to get to the “nitty-gritty” of things. Looking at the common in a way that makes people stop, question, and consider what they are looking at and how they feel about it.
Abstraction is often confused with surrealism but it is not the same thing. Surrealism, in my opinion has more to do with pictorialism. Surrealism shows easily recognizable things in fantastical setting[s] setting up uncommon and at times illogical relationships. Abstraction on the other hand tends to zoom in on details to the point that the viewer is not sure what they are looking at. It purposefully alters either in presentation, or creative manipulates the subject to the point of no return focusing on shapes, lines, patterns and spaces which results in more of an emotional/psychological connection for the viewer. Even if the viewer dismisses the work as balderdash, crap, f’d up, worthless, pointless, etc, they still have had an emotional response to the work.
The two series I am posting today are examples of my abstract way of seeing nature. This latest project focuses on images from a frozen lake. This first series involves subtle manipulation of the image by increasing contrast, desaturating color etc. It consists of 6 images simply titled Lake Ice #1 – #6.
The second series is the result of trying to figure out what to do with the “bad photos” from that frozen adventure. I always try to salvage my so-called bad images. And that salvage process usually involves manipulating them to the point of oblivion. This series is titled LAKE ICE EXTREME #1-#9 and tells us some valuable things.
There are more “bad” photos than good ones (that’s why there’s 9 in this series and only 6 in the previous series.)
The acronym for this series is L.I.E. which basically says that what you are looking at is a lie of the mind caused by extreme manipulation of crop, color and exposure.
While you may not recognize what you are seeing; I think we need to ask ourselves, “What is missing?”, “Does what’s missing matter?”, “Out of sight, out of mind?”, and “How does this increase or change our understanding of nature and the world around us?” And those are questions each individual has to answer for themselves.
Other considerations are “Why square?” – I was able to crop out a lot of the unmanageable parts of the image and the square crop helps us center our focus (in this instance).
Color is a tricky thing. If I’d left it natural they all would have been a dirty blue with some brownish tones and white. When I decided to change the color to make the image a little more disorienting I was surprised to find that each individual image had its color preference. For example if the image is green (as in #) it’s because that’s the only color that “felt” right. Honestly the red/purple/blue/yellow options just didn’t fit. I always find it amazing how once you get started the artwork seems to dictate it’s own color palette. I’m curious if painters and other artists feel the same.
I also envision these 9 images displayed together in the following configuration.
(you can “right click” then open in a “new tab” to view larger versions of individual images for more details.)
This is a wonderful series on abstract art. I found it inspiring. I hope you do the same.
Youth chases after and follows its bliss
The aged remain and rest in their bliss
and neither can tell you where it may be found
Youth is controlled by passion
The aged controls their passion
Youth rushes foolishly head-long to learn
what the aged already know, and have taken years to learn
The error of youth judges the aged
The error of the aged criticizes the youth
And neither respects the other
The aged were once youthful
As the youthful will one day be aged
Neither should be rushed.
IT’S NOT TOO LATE