ASKING & HEARING
A photo-based digital creation.
Asking & Hearing – posted as a tribute to the late Ornate Coleman 9 Mar 1930 – 11 Jun 2015.
Cheers to the man who showed us “THE SHAPE OF JAZZ TO COME”. He also taught us that the “CHANGE OF THE CENTURY” would affirm “WHEN TOMORROW IS THE QUESTION!” and answer “FREE JAZZ” and involve “THE ART OF THE IMPROVISERS”. Right up to the end he espoused “THE NEW VOCABULARY.” Thank you for teaching us the “DANCING IN YOUR HEAD” and opening our eyes and ears to all of life’s possibilities “IN ALL LANGUAGES”.
“The idea is that two or three people can have a conversation with sounds, without trying to dominate it or lead it,” Coleman said in a 1997 interview with the French philosopher Jacques Derrida.
“What I mean is that you have to be — intelligent,” he said.
“I think the musicians are trying to reassemble an emotional or intellectual puzzle, in any case a puzzle in which the instruments give the tone.”
He had a notorious relationship with music labels. His groundbreaking works were considered on the cutting edge and he had little patience for the industry’s business side. “I’ve never had a relationship with a record executive. I always went to the record company (because of) someone that liked my playing. Then they would get fired, and I’d be left with the record company,” Coleman told Cadence Magazine in 1995.
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The continuing exploration of over exposure. This adventure began in my previous series “LUMINOUS IMPRESSIONS” [which can be seen here https://www.behance.net/gallery/24471909/Luminous-Impressions ] In some ways I think over exposure is a perfect metaphor for the internet era. When a photograph is over exposed it leads to “white out” situations where details become fuzzy and unrecognizeable. I wonder if that’s what will happen to us on the internet. Will too much exposure lead to a sort of personal and cultural blindness? And, is this a bad thing?
On the other hand – because of over exposure where things are not easily identified we are left to explore other realms of the over exposed image. It can give us new feelings and be an almost spiritual exploration into the non-pictorial and non-representational image. In other words, because we cannot readily identify something we are free to redefine it on our own mental, spiritual and emotional terms. Ten people can look at a photo of a kitten and all agree that it is a kitten they are viewing but when the image is over exposed each individual can come up with their own interpretation of what they are looking at.
Click “play on the video” then click on the first image and you will be able to see it large and then press arrow button to go to next image.
Adventures in the sleepy town of Sandusky, Ohio. A small town on the southern edge of Lake Erie, a former bustling industrial and fishing port that is re-inventing itself as a resort town. It has come a long way and will soon be the tourist magnet they hope to become with industrial spaces being converted into lakefront condos and shops, eateries etc galore. And they seem to be making a fine effort at restoring/preserving some of the old historic buildings downtown. But for now enjoy some of the remaining grunge of spaces in transition. As a soundtrack click “play” on this wonderful instrumental song, SANDUSKY, by Uncle Tupelo
All Images taken on 5/17/15
All works available 20″ X 30″ on Aluminum
THE ENOCH CODEX
I have long been interested in language. The written and spoken word are abstractions of ideas. Spoken it is a “performance” but when “written” becomes “law”…. To get back to the original idea we must often deconstruct language. Irreverence is the highest form of art. Even language has a life cycle 🙂
Enjoy this…the music of Philip Glass from SYMPHONY NO. 5.
Track#3 – “The Creation Of Sentient Beings”
The image above is another work using my “visual glossolalia” approach to creating digital art. It is comprised of the text from seven different photos of signs etc. Added a couple of texture layers for effect.
About the Title. A codex is simply a book that was written on wood or papyrus etc – in a world before paper. Often a codex is affiliated with ancient and “dead” languages from which a code/law is documented. Who is Enoch? The first disappearing act in history?
Enoch walked with GOD; then he was no more, for God took him. ~ Genesis 5:24 (JPS)
It’s interesting that in these early accounts of lineage in the bible all other descendants of Adam are listed as having “died”. Only Enoch is listed as “was no more…for God took him.”
There are other stories of “magical” disappearances like the later story of Elijah(Eliyahu) in 2 Kings 2:11, “Eliyahu went up into heaven in a whirlwind.” and even the ascension of Jesus (Yeshua) in Mark 16:19, “So then, after he had spoken to them, the Lord Yeshua was taken up into heaven and sat at the right hand of God.” It may be loosely related to the story in acts of Philip and the Ethiopian Eunuch (Acts 8:39) where “the spirit of the lord snatched Philip away.”
All these disappearances in the Bible. But Enoch was the first. What happens when the meaning of text disappears and all that is left is the text itself? Can it still be understood? Is one meaning replaced with another? And when this happens how can we be sure of the right meaning? This is something that also happens with translation where the meaning of something is changed when the language is changed from one cultural context to another.
What do you think?
“Language is a virus from outer space.” ~ William S Burroughs